{"id":3218,"date":"2022-11-09T09:48:26","date_gmt":"2022-11-09T08:48:26","guid":{"rendered":"https:\/\/www.hsu-hh.de\/geiso\/?page_id=3218"},"modified":"2022-11-10T11:33:47","modified_gmt":"2022-11-10T10:33:47","slug":"3218-2","status":"publish","type":"page","link":"https:\/\/www.hsu-hh.de\/geiso\/en\/3218-2","title":{"rendered":"Dr. Valentin Wagner"},"content":{"rendered":"<script type=\"application\/ld+json\">[{\"@context\": \"https:\/\/www.schema.org\",\"@type\": \"Person\",\"name\": \"   \",\"worksFor\": [{\t\"@type\": \"Organization\",\t\"name\": \"Helmut Schmidt University\",\t\"url\": \"https:\/\/www.hsu-hh.de\"\t, \"department\": {\"@type\": \"Organization\",\t\t\t\t\t\"name\": \"P.O. Box 70 08 22\",\t\t\t\t\t\"location\": {\t\t\t\t\t\t\"@type\": \"PostalAddress\",\t\t\t\t\t\t\"addressLocality\": \"\",        \t\t\t\t\"postalCode\": \"22043\",        \t\t\t\t\"streetAddress\": \"Holstenhofweg 85 , Building H1\"\t\t\t\t\t}},\t\"location\": {\t\t\"@type\": \"PostalAddress\",    \t\"addressLocality\": \"\",    \t\"postalCode\": \"\",    \t\"postOfficeBoxNumber\": \"Hamburg\"\t}   }],\"image\": \"https:\/\/www.hsu-hh.de\/wp-content\/themes\/hsu\/img\/dummy\/dummy_ansprechpartner.png\",\"telephone\": \"+49-40 6541-2540\",\"faxNumber\": \"\",\"email\": \"wagnerv@hsu-hh.de\"}]<\/script><div class=\"clearfix\"><\/div><div class=\"ansprechparter-container \" style=\"margin-top:1em; \"><div class=\"row ansprechpartner-item ansprechparter-header\" ><div class=\"col-xs-8 col-lg-12\" style=\"margin-bottom: 30px;\"><h3 class=\"ansprechparter-headline\">   <\/h3><\/div><\/div><div class=\"col-md-4 col-lg-3 col-xs-4 ansprechpartner-item floatright img-circle center-block\" style=\"margin-bottom: 30px;\"><div class=\"img-responsive-wrapper\"><img decoding=\"async\" src=\"\/wp-content\/themes\/hsu\/img\/dummy\/dummy_ansprechpartner.png\" alt=\"Mitarbeiter Symbol-Icon\" class=\"img-circle img-responsive center-block\" \/><\/div><\/div><div class=\"col-md-12 col-lg-3 col-xs-12 ansprechpartner-item kontakt floatright\" style=\"margin-bottom: 30px; \"><div class=\"row\"><div class=\"col-xs-12 col-sm-6 col-lg-12\"><div class=\"row\"><div class=\"col-xs-4 col-lg-4 row-text bold\" >Raum:<\/div><div class=\" row-text\">2320<\/div><\/div><\/div><div class=\"col-xs-12 col-sm-6 col-lg-12\"><div class=\"row\"><div class=\"col-xs-4 col-lg-4 row-text bold\">Telefon:<\/div><div class=\" row-text\">+49-40 6541-2540<\/div><\/div><\/div><div class=\"col-xs-12 col-sm-6 col-lg-12\"><div class=\"row\"><div class=\"col-xs-4 col-lg-4 row-text bold\">E-Mail:<\/div><div class=\"row-text\" style=\"overflow:hidden; word-break: break-word\"><a href=\"mailto:wagnerv@hsu-hh.de\" rel=\"nofollow\">wagnerv@hsu-hh.de<\/a><\/div><\/div><\/div><\/div><\/div><div class=\"col-md-6 col-lg-3 col-xs-12 ansprechpartner-item anschrift floatright\" ><div class=\"row-headline\">Besucheranschrift<\/div><div class=\"dataBesucheranschrift\" style=\"\"><div class=\"row-text\">Helmut Schmidt University<\/div><div class=\"row-text\">Building H1<\/div><div class=\"row-text\">Holstenhofweg 85<\/div><div class=\"row-text\">22043 Hamburg<\/div><\/div><\/div><div class=\"col-md-6 col-lg-3 col-xs-12 ansprechpartner-item anschrift floatright\"><div class=\"row-headline\">Postanschrift<\/div><div class=\"dataPostanschrift\" style=\"\"><div class=\"row-text\">Helmut Schmidt University<\/div><div class=\"row-text\">Faculty of Humanities and Social Sciences<\/div><div class=\"row-text\">P.O. Box 70 08 22<\/div><div class=\"row-text\">22008 Hamburg<\/div><div class=\"row-text\"><\/div><\/div><\/div><\/div><div class=\"clearfix\"><\/div>\n\n\n<h4 class=\"wp-block-heading\">Teaching<\/h4>\n\n\n\n<p>Teaching in the modules <em>Einf\u00fchrung in die Psychologie <\/em>(introductory psychology), <br><em>Allgemeine Psychologie II <\/em>(general psychology \u2013 emotion &amp; motivation), <br><em>Experimentalpsychologisches Praktikum <\/em>(research methods), <em>Human Factors II<\/em>.<\/p>\n\n\n\n<p><abbr title=\"Herbsttrimester\">HT<\/abbr> 2022:<br><br><strong>Introduction to Psychology<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Lecture (70.101), Mondays, 11:30 &#8211; 13:00, H1 HS5<\/li><li>Seminar (70.103), Mondays, 14:00 &#8211; 15:30, H1 R0205<\/li><\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Office hours<\/h4>\n\n\n\n<p>For an appointment, please contact me via email <a href=\"mailto:wagnerv@hsu-hh.de\" rel='nofollow'>wagnerv@hsu-hh.de<\/a>.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Research interests<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li>Emotion experience in art and entertainment<\/li><li>Mixed emotions<\/li><li>Empirical aesthetics<\/li><li>Aesthetics of language<\/li><li>Language comprehension and production<\/li><\/ul>\n\n\n\n<p><br><strong>Curriculum Vitae<\/strong><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p>Since 01\/2020<\/p>\n\n\n\n<p>Seit 01\/2020<br><\/p>\n\n\n\n<p>10\/2013\u201312\/2019<br><\/p>\n\n\n\n<p>2012\u20132013<br><\/p>\n\n\n\n<p>2009\u20132012<br><\/p>\n\n\n\n<p>2008<br><\/p>\n\n\n\n<p>2005\u20132008<br><\/p>\n\n\n\n<p>1998\u20132005<br><\/p>\n\n\n\n<p>03\/2002<\/p>\n\n\n\n<p>1995\u20132002<\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Lecturer, Helmut Schmidt University, Hamburg, Germany<\/p>\n\n\n\n<p>Visiting Researcher at the Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany<\/p>\n\n\n\n<p>Senior Research Fellow at the Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany<\/p>\n\n\n\n<p>Senior Research Fellow at the Cluster &#8218;Languages of Emotion&#8216;, Project &#8222;Touching, moving, stirring&#8220;, Freie Universit\u00e4t Berlin, Germany<\/p>\n\n\n\n<p>Senior Research Fellow at the Cluster &#8218;Languages of Emotion&#8216;, Project &#8222;Aesthetic modulation of affective valence&#8220;, Freie Universit\u00e4t Berlin, Germany<\/p>\n\n\n\n<p>Research Fellow at the Institute for Psychology I, University of Leipzig, Germany<\/p>\n\n\n\n<p>PhD in Psychology, University of Leipzig, Germany<\/p>\n\n\n\n<p>Study in Psychology, University of Leipzig, Germany<\/p>\n\n\n\n<p>M. A. in Philosophy, University of Leipzig, Germany<\/p>\n\n\n\n<p>Studies in Philosophy, Psychology and Cultural Anthropology at the University of Leipzig, Germany<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><strong>Publications<\/strong><\/p>\n\n\n\n<p>Schindler, I., Wagner, V., Jacobsen, T., &amp; Menninghaus, W. (2022). Lay conceptions of \u201cbeing moved\u201d (\u201cbewegt sein\u201d) include a joyful and a sad type: Implications for theory and research. <em>PLoS One, 17<\/em>(10), Article e0276808. <a rel=\"noreferrer noopener\" href=\"https:\/\/doi.org\/10.1371\/journal.pone.0276808\" target=\"_blank\">doi:10.1371\/journal.pone.0276808 <\/a><\/p>\n\n\n\n<p>Blohm, S., Versace, S., Methner, S., Wagner, V., Schlesewsky, M., &amp; Menninghaus, W.\u00a0(2022).\u00a0Reading Poetry and Prose: Eye Movements and Acoustic Evidence.\u00a0<em>Discourse Processes<\/em>,\u00a01-25. <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1080\/0163853X.2021.2015188\" target=\"_blank\">doi:10.1080\/0163853X.2021.2015188<\/a> <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1080\/0163853X.2021.2015188\" target=\"_blank\"><span><a href=\"\" rel='nofollow'><img decoding=\"async\" title=\"Titel anhand dieser DOI in Citavi-Projekt \u00fcbernehmen\" class=\"citavipicker10.1080\/0163853X.2021.2015188\" style=\"border: 0px none;width: 16px;height: 16px !important;margin-left: 1px !important;margin-right: 1px !important;vertical-align: bottom !important\" src=\"image\/png;base64,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\"><\/a><\/span><\/a><\/p>\n\n\n\n<p>Scharinger, M., Knoop, C. A., Wagner, V., &amp; Menninghaus, W. (2022). Neural processing of poems and songs is based on melodic properties. <em>Neuroimage<\/em>, 257, Article 119310. <a rel=\"noreferrer noopener\" href=\"https:\/\/doi.org\/10.1016\/j.neuroimage.2022.119310\" target=\"_blank\">doi:10.1016\/j.neuroimage.2022.119310 <span><a href=\"\" rel='nofollow'><img decoding=\"async\" title=\"Titel anhand dieser DOI in Citavi-Projekt \u00fcbernehmen\" class=\"citavipicker10.1016\/j.neuroimage.2022.119310\" style=\"border: 0px none;width: 16px;height: 16px !important;margin-left: 1px !important;margin-right: 1px !important;vertical-align: bottom !important\" src=\"image\/png;base64,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\"><\/a><\/span><\/a><\/p>\n\n\n\n<p>Scharinger, M., Wagner, V., Knoop, C. A., &amp; Menninghaus, W. (2022). Melody in poems and songs: Fundamental statistical properties predict aesthetic evaluation. <em>Psychology of Aesthetics, Creativity, and the Arts<\/em>. Advance online publication.\u00a0<a rel=\"noreferrer noopener\" href=\"https:\/\/doi.org\/10.1037\/aca0000465\" target=\"_blank\">doi:10.1037\/aca0000465 <span><a href=\"\" rel='nofollow'><img decoding=\"async\" title=\"Titel anhand dieser DOI in Citavi-Projekt \u00fcbernehmen\" class=\"citavipicker10.1037\/aca0000465\" style=\"border: 0px none;width: 16px;height: 16px !important;margin-left: 1px !important;margin-right: 1px !important;vertical-align: bottom !important\" src=\"image\/png;base64,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\"><\/a><\/span><\/a>\u00a0<\/p>\n\n\n\n<p>Salgaro, M., Wagner, V., &amp; Menninghaus, W. (2021). A good, a bad, and an evil character: Who renders a novel most enjoyable?&nbsp;<em>Poetics<\/em>, <em>87,&nbsp;<\/em>Article 101550. <a rel=\"noreferrer noopener\" href=\"https:\/\/doi.org\/10.1016\/j.poetic.2021.101550\" target=\"_blank\">doi:10.1016\/j.poetic.2021.101550 <\/a><\/p>\n\n\n\n<p>Beermann, U., Hosoya, G., Schindler, I., Scherer, K. R., Eid, M., Wagner, V., &amp; Menninghaus, W. (2021). Dimensions and Clusters of Aesthetic Emotions: A Semantic Profile Analysis. <em>Frontiers in Psychology,<\/em> 12, Article 667173. <a rel=\"noreferrer noopener\" href=\"https:\/\/doi.org\/10.3389\/fpsyg.2021.667173\" target=\"_blank\">doi:10.3389\/fpsyg.2021.667173 <\/a><\/p>\n\n\n\n<p>Wagner, V., Scharinger, M., Knoop, C. A., &amp; Menninghaus, W. (2021). Effects of continuous self-reporting on aesthetic evaluation and emotional responses. <em>Poetics, 85<\/em>, Article 101497. <a rel=\"noreferrer noopener\" href=\"https:\/\/doi.org\/10.1016\/j.poetic.2020.101497&nbsp;\" target=\"_blank\">doi:10.1016\/j.poetic.2020.101497 <\/a>&nbsp;<\/p>\n\n\n\n<p>Tavano, A., Blohm, S., Knoop, C. A., Muralikrishnan, R., Scharinger, M., Wagner, V., et al. (2020). Neural harmonics reflect grammaticality.<em> bioRxiv &#8211; The Preprint Server for Biology<\/em>, Preprint. <a href=\"https:\/\/doi.org\/10.1101\/2020.04.08.031575\" rel='nofollow'>doi:10.1101\/2020.04.08.031575<\/a><\/p>\n\n\n\n<p>Menninghaus, W., Schindler, I., Wagner, V., Wassiliwizky, E., Hanich, J., Jacobsen, T., et al. (2020). Aesthetic Emotions Are a Key Factor in Aesthetic Evaluation: Reply to Skov and Nadal (2020).<em>Psychological Review, 127<\/em>(4), 650\u2013654.&nbsp; <a rel=\"noreferrer noopener\" href=\"https:\/\/dx.doi.org\/10.1037\/rev0000213\" target=\"_blank\">doi:10.1037\/rev0000213 <\/a><\/p>\n\n\n\n<p>Menninghaus, W., Wagner, V., Kegel, V., Knoop, C. A., &amp; Schlotz, W. (2019). Beauty, elegance, grace, and sexiness compared. <em>Plos One, 14<\/em>(6),&nbsp; Article e0218728.&nbsp; <a rel=\"noreferrer noopener\" href=\"https:\/\/dx.doi.org\/10.1371\/journal.pone.0218728\" target=\"_blank\">doi:10.1371\/journal.pone.0218728 <\/a><\/p>\n\n\n\n<p>Menninghaus, W., Wagner, V., Wassiliwizky, E., Schindler, I., Hanich, J., Jacobsen, T., &amp; Koelsch, S. (2019). What are aesthetic emotions?<em> Psychological Review, 126<\/em>(2), 171\u2013195.&nbsp; <a rel=\"noreferrer noopener\" href=\"https:\/\/dx.doi.org\/10.1037\/rev0000135\" target=\"_blank\">doi:10.1037\/rev0000135 <\/a><\/p>\n\n\n\n<p>Menninghaus, W., Wagner, V., Knoop, C. A., &amp; Scharinger, M. (2018). Poetic speech melody: A crucial link between music and language. <em>Plos One, 13<\/em>(11), Article&nbsp;e0205980.&nbsp; <a rel=\"noreferrer noopener\" href=\"https:\/\/dx.doi.org\/10.1371\/journal.pone.0205980\" target=\"_blank\">doi:10.1371\/journal.pone.0205980 <\/a><\/p>\n\n\n\n<p>Blohm, S., Wagner, V., Schlesewsky, M., &amp; Menninghaus, W. (2018). Sentence judgments and the grammar of poetry: Linking linguistic structure and poetic effect. <em>Poetics<\/em>, <em>69<\/em>, 41\u201356.&nbsp; <a rel=\"noreferrer noopener\" href=\"https:\/\/dx.doi.org\/10.1016\/j.poetic.2018.04.005\" target=\"_blank\">doi:10.1016\/j.poetic.2018.04.005 <\/a><\/p>\n\n\n\n<p>Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., &amp; Koelsch, S. (2017). Authors\u2019 Response: Negative emotions in art reception: Refining theoretical assumptions and adding variables to the Distancing-embracing model. <em>Behavioral and Brain Sciences, 40<\/em>, 44\u201351, Article&nbsp;e380.&nbsp;&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1017\/S0140525X17000309\" target=\"_blank\">doi:10.1017\/S0140525X17001947 <\/a><\/p>\n\n\n\n<p>Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Jacobsen, T., &amp; Koelsch, S. (2017). The Distancing-embracing model of the enjoyment of negative emotions in art reception. <em>Behavioral and Brain Sciences<\/em>, <em>40<\/em>, Article e347.&nbsp; <a rel=\"noreferrer noopener\" href=\"https:\/\/dx.doi.org\/10.1017\/S0140525X17000309\" target=\"_blank\">doi:10.1017\/S0140525X17000309 <\/a><a href=\"\" rel='nofollow'><\/a><\/p>\n\n\n\n<p>Hosoya, G., Schindler, I., Beermann, U., Wagner, V., Menninghaus, W., Eid, M., &amp; Scherer, K. (2017). Mapping the conceptual domain of aesthetic emotion terms: A pile-sort study. <em>Psychology of Aesthetics, Creativity, and the Arts<\/em>, <em>11<\/em>(4), 457\u2013473.&nbsp; <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1037\/aca0000123\" target=\"_blank\">doi:10.1037\/aca0000123 <\/a><\/p>\n\n\n\n<p>Wassiliwizky, E., Koelsch, S., Wagner, V., Jacobsen, T., &amp; Menninghaus, W. (2017). The emotional power of poetry: Neural circuitry, psychophysiology and compositional principles. <em>Social Cognitive and Affective Neuroscience<\/em>, <em>12<\/em>(8), 1229\u20131240. <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1093\/scan\/nsx069\" target=\"_blank\">doi:10.1093\/scan\/nsx069 <\/a><\/p>\n\n\n\n<p>Menninghaus, W., Wagner, V., Wassiliwizky, E., Jacobsen, T., &amp; Knoop, C. A. (2017). The emotional and aesthetic powers of parallelistic diction. <em>Poetics<\/em>, <em>63<\/em>, 47\u201359.&nbsp; <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1016\/j.poetic.2016.12.001\" target=\"_blank\">doi:10.1016\/j.poetic.2016.12.001 <\/a><\/p>\n\n\n\n<p>Schindler, I., Hosoya, G., Menninghaus, W., Beermann, U., Wagner, V., Eid, M., &amp; Scherer, K. R. (2017). Measuring aesthetic emotions: A review of the literature and a new assessment tool. <em>Plos One<\/em>, <em>12<\/em>(6), Article e0178899.&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1371\/journal.pone.0178899\" target=\"_blank\">doi:10.1371\/journal.pone.0178899 <\/a>&nbsp;<\/p>\n\n\n\n<p>Knoop, C. A., Wagner, V., Jacobsen, T., &amp; Menninghaus, W. (2016). Mapping the aesthetic space of literature from &#8222;below&#8220;. <em>Poetics<\/em>, 56, 35\u201349. <a rel=\"noreferrer noopener\" href=\"http:\/\/www.sciencedirect.com\/science\/article\/pii\/S0304422X16000127\" target=\"_blank\">doi:10.1016\/j.poetic.2016.02.001 <\/a><\/p>\n\n\n\n<p>Wagner, V., Klein, J., Hanich, J., Shah, M., Menninghaus, W., &amp; Jacobsen, T. (2016). Anger framed: A field study on emotion, pleasure, and art. <em>Psychology of Aesthetics, Creativity, and the Arts<\/em>, <em>10(2)<\/em>, 134\u2013146.&nbsp; <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1037\/aca0000029\" target=\"_blank\">doi:10.1037\/aca0000029 <\/a><\/p>\n\n\n\n<p>Wassiliwizky, E., Wagner, V., Jacobsen, T., &amp; Menninghaus, W. <em>(2015).<\/em> Art-elicited chills indicate states of being moved. <em>Psychology of Aesthetics, Creativity, and the Arts, 9(4), 405<\/em>\u2013<em>416. <\/em><a rel=\"noreferrer noopener\" href=\"http:\/\/psycnet.apa.org\/psycinfo\/2015-33618-001\/\" target=\"_blank\">doi:10.1037\/aca0000023 <span><\/span><\/a><a href=\"\" rel='nofollow'><\/a><\/p>\n\n\n\n<p>Menninghaus, W., Wagner, V., Hanich, J., Wassiliwizky, E., Kuehnast, M., &amp; Jacobsen, T. (2015). Towards a psychological construct of Being Moved. Plos One, 10(6), Article e0128451. <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1371\/journal.pone.0128451\" target=\"_blank\">doi:10.1371\/journal.pone.0128451<\/a><\/p>\n\n\n\n<p>Kuehnast, M., Wagner, V., Wassiliwizky, E., Jacobsen, T., &amp; Menninghaus, W. (2014). Being Moved: Linguistic representation and conceptual structure. <em>Frontiers in Psychology<\/em>, <em>5<\/em>, Article1242. <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.3389\/fpsyg.2014.01242\" target=\"_blank\">doi:10.3389\/fpsyg.2014.01242<\/a> <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.3389\/fpsyg.2014.01242\" target=\"_blank\"><span><a href=\"\" rel='nofollow'><img decoding=\"async\" title=\"Titel anhand dieser DOI in Citavi-Projekt \u00fcbernehmen\" class=\"citavipicker10.3389\/fpsyg.2014.01242\" style=\"border: 0px none;width: 16px;height: 16px !important;margin-left: 1px !important;margin-right: 1px !important;vertical-align: bottom !important\" src=\"image\/png;base64,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\"><\/a><\/span><\/a><\/p>\n\n\n\n<p>Hanich, J., Wagner, V., Shah, M., Jacobsen, T., &amp; Menninghaus, W. (2014). Why we like to watch sad films. The pleasure of being moved in aesthetic experiences. <em>Psychology of Aesthetics, Creativity, and the Arts<\/em>, <em>8<\/em>(2), 130\u2013143. <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1037\/a0035690\" target=\"_blank\">doi:10.1037\/a0035690 <span><\/span><\/a><a href=\"\" rel='nofollow'><img decoding=\"async\" title=\"Titel anhand dieser DOI in Citavi-Projekt \u00fcbernehmen\" class=\"citavipicker10.1037\/a0035690\" style=\"border: 0px none;width: 16px;height: 16px !important;margin-left: 1px !important;margin-right: 1px !important;vertical-align: bottom !important\" src=\"image\/png;base64,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\"><\/a> <a href=\"\" rel='nofollow'><\/a><\/p>\n\n\n\n<p>Wagner, V., Menninghaus, W., Hanich, J., &amp; Jacobsen, T. (2014). Art schema effects on affective experience: The case of disgusting images. <em>Psychology of Aesthetics, Creativity, and the Arts,8<\/em>(2), 120\u2013129. <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1037\/a0036126\" target=\"_blank\">doi:10.1037\/a0036126 <\/a><\/p>\n\n\n\n<p>Wagner, V., Jescheniak, J. D., &amp; Schriefers, H. (2010). On the flexibility of grammatical advance planning during sentence production: Effects of cognitive load on multiple lexical access. <em>Journal of Experimental Psychology: Learning, Memory, and Cognition<\/em>, <em>36<\/em>(2), 423\u2013440. <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1037\/a0018619\" target=\"_blank\">doi:10.1037\/a0018619<\/a> <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1037\/a0018619\" target=\"_blank\"><span><a href=\"\" rel='nofollow'><img decoding=\"async\" title=\"Titel anhand dieser DOI in Citavi-Projekt \u00fcbernehmen\" class=\"citavipicker10.1037\/a0018619\" style=\"border: 0px none;width: 16px;height: 16px !important;margin-left: 1px !important;margin-right: 1px !important;vertical-align: bottom !important\" src=\"image\/png;base64,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\"><\/a><\/span><\/a><\/p>\n\n\n\n<p>Jescheniak, J. D., Oppermann, F., Hantsch, A., Wagner, V., M\u00e4debach, A., &amp; Schriefers, H. (2009). Do perceived context pictures automatically activate their phonological code? <em>Experimental Psychology<\/em>, <em>56<\/em>(1), 56\u201365. <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1027\/1618-3169.56.1.56\" target=\"_blank\">doi: 10.1027\/1618-3169.56.1.56 <\/a><\/p>\n\n\n\n<p>Jescheniak, J. D., Hahne, A., Hoffmann, S., &amp; Wagner, V. (2006). Phonological activation of category coordinates during speech planning is observable in children but not in adults: Evidence for cascaded processing. Journal of Experimental Psychology: Learning, Memory, and Cognition, 32(2), 373\u2013386. <a rel=\"noreferrer noopener\" href=\"http:\/\/dx.doi.org\/10.1037\/0278-7393.32.3.373\" target=\"_blank\">doi:10.1037\/0278-7393.32.3.373<\/a>  <\/p>\n\n\n\n<div class=\"wp-block-hsu-publicationblock\"><div class=\"img-area download-image\"><img decoding=\"async\" src=\"\/wp-content\/themes\/hsu\/img\/dummy\/downloads_dummy.png\" alt=\"Publikation Symbol-Icon\" \/><\/div><div class=\"content-area\"><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Teaching Teaching in the modules Einf\u00fchrung in die Psychologie (introductory psychology), Allgemeine Psychologie II (general psychology \u2013 emotion &amp; motivation), Experimentalpsychologisches Praktikum (research methods), Human Factors II. HT 2022: Introduction [&hellip;]<\/p>\n","protected":false},"author":27,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-3218","page","type-page","status-publish","hentry","category-team-en"],"_links":{"self":[{"href":"https:\/\/www.hsu-hh.de\/geiso\/wp-json\/wp\/v2\/pages\/3218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hsu-hh.de\/geiso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.hsu-hh.de\/geiso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.hsu-hh.de\/geiso\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hsu-hh.de\/geiso\/wp-json\/wp\/v2\/comments?post=3218"}],"version-history":[{"count":43,"href":"https:\/\/www.hsu-hh.de\/geiso\/wp-json\/wp\/v2\/pages\/3218\/revisions"}],"predecessor-version":[{"id":3423,"href":"https:\/\/www.hsu-hh.de\/geiso\/wp-json\/wp\/v2\/pages\/3218\/revisions\/3423"}],"wp:attachment":[{"href":"https:\/\/www.hsu-hh.de\/geiso\/wp-json\/wp\/v2\/media?parent=3218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hsu-hh.de\/geiso\/wp-json\/wp\/v2\/categories?post=3218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hsu-hh.de\/geiso\/wp-json\/wp\/v2\/tags?post=3218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}